Three Houses Tickets
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New York, NY

Three Houses Tickets

Grandparent ghosts. Big Bad Wolf. Magic awaits.
Three individuals stand on stage, with one in front and two behind, wearing a mix of formal and casual attire. The stage is dimly lit with various props around.
A man with a beard plays an electric guitar on a bar counter, while another person in a dark jacket leans against the bar listening, under a red-lit marquee.
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A person manipulates a blue dragon puppet as another person reacts nearby in a dimly lit room with medieval decor.
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Three Houses Tickets

About Three Houses

Get Three Houses tickets to see the newest work from three-time Tony Award nominee Dave Malloy (Natasha, Pierre and the Great Comet of 1812) and Annie Tippe (Ghost Quartet), who together last wowed audiences with their award-winning, extended musical Octet. Now, Tippe returns to Signature Theatre to direct Malloy’s enchanting musical about isolation and hope. Book Three Houses tickets to see one of the most anticipated off-Broadway musicals of the year — get great seats on TodayTix.

Experience Three Houses in New York to dive into the surreal world of Susan, Sadie, and Beckett. Susan has moved to Latvia, Sadie’s fled to New Mexico, and Beckett can’t stop thinking about Ireland. A post-pandemic tale about how incredible events uproot our lives and homes, Three Houses is a magical musical that borrows from an open mic structure — if open mics also had a Big Bad Wolf bringing dreams and demons. See Three Houses off Broadway and get tickets with TodayTix.

Run time

1hr 40min. No intermission.

Categories

Start date

April 30th, 2024

End date

June 16th, 2024

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Venue

The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

480 W 42nd St, New York, NY, USA, 10036

More information about Three Houses

Tony Award nominee Dave Malloy is known for his shape-shifting styles: in his most famous work, Broadway’s Natasha, Pierre and the Great Comet of 1812, he adapted a passage of Tolstoy’s War and Peace, infusing it with modern musical sensibilities to recreate a centuries-old, epic love story. He has also crafted more intimate works, like the song cycle about grief, Ghost Quartet, and, more recently, Octet, about eight contemporary characters who are addicted to the internet. Now, in Three Houses, he creates a similarly small-in-scale and large-in-scope piece about six adrift people (and creatures) longing for home.

Annie Tippe directed Octet and won the Lucille Lortel Award for Best Direction for that musical, and now returns to Signature Theatre with Malloy for Three Houses. A musical theatre director hot on the rise, Tippe has also directed a number of world premiers, showing off her chops as an advocate and shaper of new musicals.

What to watch for

  • Three Houses features a cast of six, including two actors (Margo Seibert and J.D. Mollison) who were previously in Octet and Scott Strangland who was in Great Comet. Rounding out the cast are Mia Pak (Suffs), Henry Stram (The Crucible), and Ching Valdes-Aran (A Song of Songs).
  • Signature Residencies at the Off-Broadway theatre have offered more than 37 playwrights an artistic home. For each resident playwright, the theatre commits upfront to producing at least three plays to showcase an artist’s body of work. Dave Malloy is one such resident, and Three Houses follows Octet as his second work.
  • For audiences looking to arrive to the show early, Signature features one of New York’s largest, coziest theatre lobbies: with couches and seating aplenty, plus a full-service bar and small bookshop, the second-floor lobby is a great working and meeting space for a pre-show beverage.
  • Themes of isolation carry through a number of Dave Malloy pieces: in Octet, support group members bond over their addiction to the internet, and in Moby Dick, he modernizes Herman Melville’s tale of a man at sea. Now, in Three Houses, Malloy spotlights three lonely figures refinding themselves in new homes and searching for community.

Tickets

Unfortunately, tickets for this event are no longer available.

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