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Death Becomes Her on Broadway - NYC [34895]

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Death Becomes Her on Broadway

Death Becomes Her on Broadway - NYC [34895] 

**Lunt-Fontanne Theatre** is one of the most prestigious theatrical venues in New York. Located at 205 West 46th Street in the heart of Manhattan, it's a place where countless iconic performances took place. Opened originally as the Globe Theatre in 1910, it was renamed in honor of Alfred Lunt and Lynn Fontanne in 1958. The theatre, with its eye-catching architecture and rich history, has a seating capacity of nearly 1,500. Being a centenarian venue, it has been through several renovations, but each time it retained its look of classical elegance. Many notable Broadway productions have played at the theatre, predominantly musicals. Impressive frescoes, luxurious red seats, mesmerizing ambient lighting, coupled with state of the art audio-visual elements, create an unforgettable experience. With each performance, audiences are enveloped in an atmosphere of grandeur and majesty, a testament to the theatre's legendary status.

**Getting to Lunt-Fontanne Theatre**: Conveniently situated in Manhattan, the theatre is easily accessible by mass transit. One recommended way is by subway; guests can take the N, Q, R, W, J or Z trains to 42nd Street, Times Square. From that point, it's just a short walk to reach the venue.

Lunt-Fontanne Theatre - NY

Lunt-Fontanne Theatre

The Lunt-Fontanne Theatre, located at 205 West 46th Street in Manhattan, is a historic Broadway theatre venue with a seating capacity of nearly 1,500.

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Ages 8+. Children under 4 are not permitted in the theatre.

Buena Vista Social Club on Broadway - NYC [31351]

Buena Vista Social Club on Broadway

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"This is not the story of a nation; this is the story of a band," music producer Juan De Marcos (Luis Vega) says at the top of *Buena Vista Social Club*. Maybe the musical isn't the story of Cuba, from where the same-named group hailed, but it is much more than the story of a band, too.

"Buena Vista Social Club" is synonymous with a lightning-in-a-bottle cultural phenomenon: the group of Cuban musicians brought together, largely post-retirement, by De Marcos and others to record an album; that Grammy Award-winning album, which ushered in a renaissance of old-school Cuban dance music; the documentary film made about them, which was named to the National Film Registry in 2020; and the physical hall where many of BVSC's musicians got their start before the Cuban Revolution set in, upending their careers and shuttering the club alongside many others like it.

That singular tale — of forgotten friendships, sounds, and struggles alike getting an unexpected and irreplicable second act — is the story of *Buena Vista Social Club*, part true, part dramatized. The resulting plot may be predictable, but the staging and music of *Buena Vista* are lush, vibrant, and celebratory.

Director Saheem Ali's production is clearly designed as a showcase for the music anyway, and that's apparent from the the opening number, "El Carretero." (All the songs are either instrumental or sung in Spanish.) The full band is front and center, and a large ensemble fluidly grooves along as though the song is a current, sweeping them up and carrying them where it desires.

That irresistible impulse to just fall into the music carries throughout the show and extends to the audience. (*Buena Vista* is actually a show that makes you want to get up and dance, especially when Patricia Delgado and Justin Peck's explosive choreography kicks into high gear, but that's frowned upon in the theatre.) But nowhere is that submission more apparent than in Omara Portuondo (a potent Natalie Venetia Belcon), who abandons a mainstream singing career with her sister ("a life we can *control*," her sister notably calls it) to remain in Cuba, even as the revolution mounts and her family leaves, and perform Cuban music at the BVSC.

Decades later, her past regrets have hardened her — she eventually did pursue a solo career and left Compay Segundo and Ibrahim Ferrer, who introduced her to the BVSC, behind — but we watch in real time as recording with the BVSC dissolves her steely shell. A highlight of the show is the number "Candela," particularly the part in which the exacting Omara dismisses the flute player — "No one ever recorded a scorching rendition of anything with a flute," she claims — but when De Marcos asks him to play anyway, sure enough, the flute notes dance atop the melody like sparks, and Omara's charmed.

*Buena Vista* leaps back and forth between this album recording in the '90s and the characters' early careers in the '50s. Ali achieves these shifts seamlessly and in a swift two hours. Some Act 2 plot points, including the rise of the Revolution, get rushed in the process, as does the musical's exploration of how colorism impacts the musicians' opportunities, particularly Ferrer's.

The ending is thus bittersweet — that in this version of Buena Vista Social Club's story, it took decades for Ferrer and others to get the recognition they deserved. But getting to hear their music live at the [Linda Gross Theater](https://www.newyorktheatreguide.com/theatres/linda-gross-theater) now is a unique and worthwhile treat.

[*Buena Vista Social Club* is at Atlantic Theater Company's Linda Gross Theater through December 31.](https://www.newyorktheatreguide.com/show/31351-buena-vista-social-club)

*Photo credit: Jared Machado (at microphone with guitar) and the company of
Buena Vista Social Club. (Photo by Ahron R. Foster)*

'Buena Vista Social Club' review — lush, vibrant music makes this show a treat

Read our four-star review of *Buena Vista Social Club*, a new musical inspired by the Cuban music group of the same name, now off Broadway through December 31.

The **Gerald Schoenfeld Theatre** is a celebrated Broadway theatre venue located in the heart of New York City, offering guests an immersion into the world of shows and performances. The theatre was built in 1917 and was initially known as the Plymouth Theatre. It was later renamed to honor the late Gerald Schoenfeld, a Broadway producer who significantly contributed to the world of arts. The architect was Herbert J. Krapp, who designed the theatre in a neo-classical style giving it an ambiance reminiscent of the golden era of theatre. It has a history of hosting numerous Tony Award-winning productions and enchanting audiences with its magnificent interior, comfortable seating, and top-notch acoustic technology. It can accommodate up to 1,080 guests. Beyond its artistic significance, the theatre is also central, located in close proximity to restaurants, shops, and the buzzing NYC nightlife.

**_How to get there:_** The Gerald Schoenfeld Theatre is situated at 236 W 45th St, right in the Theatre District. You can conveniently get there with a myriad of city transportation options, including subway (N,Q,R,W, 1,2,3,7), bus (M104, M42, M6, M10), taxi, or even walking if you reside nearby.

Gerald Schoenfeld Theatre - NY

Gerald Schoenfeld Theatre 

The Gerald Schoenfeld Theatre is a historic Broadway theatre venue in New York, known for its spectacular productions and convenient location.

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Dead Outlaw on Broadway - NYC [38531]

Dead Outlaw on Broadway

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The **Longacre Theatre** is a historic theatre located in the heart of New York City's world-famous Broadway district. Opened in 1913, it was named after Longacre Square, the previous name of Times Square. This theatre has a seating capacity of 1100 and is designed in the French Neo-classical style, featuring a stunning white facade and beautifully ornate interior. Over the years, it’s been the birthplace of numerous Broadway classics including 'Ain’t Misbehavin’, 'La Cage aux Folles', and most recently 'The Lightning Thief'. The Longacre has a particularly intimate atmosphere, perfect for truly immersing oneself in the spectacle and magic of Broadway. 

#### **Directions to the Venue** 

The Longacre Theatre is located at 220 West 48th Street. It's easily accessible via various modes of public transportation. By subway, take the 1, 2, or 3 train to 50th Street or the N, R, or W train to 49th Street. By bus, take the M104, M10, or M27/M50. For those driving, parking garages are available nearby on 48th and 49th Streets.

Longacre Theatre - NY

Longacre Theatre

The Longacre Theatre is a historic Broadway theatre in New York City, known for its intimate atmosphere and French Neo-classical style.

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Purpose on Broadway - NYC [38461]

Purpose on Broadway

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The Hayes Theater, established in 1912 and located in the heart of New York City, is a notable venue for Broadway productions. Known formerly as the Little Theatre, the Helen Hayes Theatre was renamed in 1983 in honor of the acclaimed actress. Since its renovation in 2017, the Hayes has become one of the most technologically advanced, intimate Broadway houses. Its seating capacity of 597 hasn't affected the quality and charm of performances held there. Known for presenting some of the most innovative works of contemporary playwrights, it continues to attract theatre buffs from around the world. 

 ## How to Get There 

The Hayes Theater is situated at 240 West 44th Street, between 7th and 8th avenue. For those taking the subway, the Times Square-42nd Street station served by N, Q, R, S, W, 1, 2, 3, and 7 trains is the closest stop. If you prefer a taxi or a ride-sharing service, simply set your destination to the theater's address. There are also numerous parking facilities within a few blocks where you can leave your car if you're driving.

Hayes Theater - Second Stage Theater - NY

Hayes Theater

Hayes Theater, an intimate Broadway venue in NYC, presents innovative contemporary plays. It's accessible via subway, taxi, and has nearby parking facilities.

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Eureka Day on Broadway - NYC [40574]

Eureka Day on Broadway

The Samuel J. Friedman Theatre is a historic Broadway theatre located in New York City. Established in 1925, the theatre is managed by Manhattan Theatre Club (MTC), a leading professional theatre producer. Originally named the Biltmore Theatre, it was renamed Samuel J. Friedman in 2008 to honor the late American publicist. The theatre seats over 650 people and is renowned for its excellent acoustics and state-of-the-art light and sound systems. It has also been the host to several notable productions and has welcomed some of the finest actors and actresses in the industry.

**How to Get There**

In the heart of the city, the Samuel J. Friedman Theatre is easily accessible through multiple modes of transportation. If commuting by subway, take the 1, 2, 3, 7, S, A, C, E, N, R, Q, W, Fourth Street lines to 42nd Street. From the station, it's just a short walk to the theatre. For those driving, numerous parking garages are available nearby. The theatre is also well-served by numerous bus lines. However, due to the busy nature of the city, public transport is a recommended choice.

Samuel J. Friedman Theatre - Manhattan Theatre Club - NY

Samuel J. Friedman Theatre

The Samuel J. Friedman Theatre, a historic Broadway theatre managed by Manhattan Theatre Club, accommodates over 650, with excellent acoustics and light systems.

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Ages 10+. Children under 4 years old will not be admitted.

Gypsy on Broadway - NYC [41161]

Genre: Musical

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A classic musical, *Gypsy* takes place just as the once-popular vaudeville industry is declining in the early 20th century. Nonetheless, the constant dreamer and unbearable stage mom Momma Rose looks to push her daughter June into the spotlight at any cost — traveling the country, sweet-talking an agent (and her love interest), and neglecting June's less talented sister, Louise, who against all odds ends up as one of the burlesque scene’s most famous strippers. But as Rose remains in the shadows as Louise’s career ascends, she must come to terms with her own lack of self-love.

## What to watch for

- Audra McDonald is so accomplished, she was honored with the National Medal of Arts in 2016 from President Barack Obama and was inducted into the American Theater Hall of Fame in 2017.
- *Gypsy* first premiered on Broadway in 1959; since then, it has enjoyed multiple revivals, including ones directed by Oscar winner Sam Mendes and the librettist himself, Arthur Laurents. 
- Many famous actresses have played Rose, including Ethel Merman, Bernadette Peters, Angela Lansbury, and Patti LuPone.
- George C. Wolfe has worked with McDonald before, previously in *Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed* on Broadway.

## Important information

- Flashing lights: Strobe or flashing lights are used in this production.
- Children under 4 years old will not be admitted.
- No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary.
- All items are subject to inspection. Anything brought into the theatre must fit on your lap or completely under your seat without blocking any aisles. Avoid bringing packages, luggage, and backpacks. Some items must be checked.
- The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services.

Gypsy on Broadway - NYC - TT

Get *Gypsy* tickets and see six-time Tony Award winner Audra McDonald step into the mother of all Broadway roles: the ambitious Momma Rose, who goes to great lengths to achieve fame for her daughters in pursuit of the American dream. Tony winner Danny Burstein also stars alongside rising Broadway stars Joy Woods and Jordan Tyson in this revelatory new production of the classic American musical, directed by six-time Tony Award winner George C. Wolfe and choreographed by four-time nominee Camille A. Brown (*Hell’s Kitchen*).

Get *Gypsy* tickets and see the incomparable Audra McDonald star as Momma Rose in what is widely celebrated one of the greatest musicals ever written. Tony Award winner George C. Wolfe directs this new production that features an infectious score by Jule Styne and Stephen Sondheim and sharp book by Arthur Laurents. 

Here she is, boys; here she is, world: Experience McDonald in *Gypsy* on Broadway. Musical theatre royalty, McDonald is a six-time Tony Award winner famed for her versatile performances in dramas and musicals alike, including *Ragtime, A Raisin in the Sun*, and *Master Class*. Also a Grammy and Emmy award winner, McDonald now takes a star turn for the ages: as Momma Rose, McDonald embodies the stage mother to end all stage mothers in this based-on-a-true story of the life of burlesque icon Gypsy Rose Lee. 

Bringing together a trifecta of musical theatre writers — Laurents, Sondheim, and Styne — *Gypsy* is a timeless story of ambition, family, and the irresistible nature of show business. A visionary director, Wolfe made a name for himself directing the original Broadway production of *Angels in America*. He now returns to Broadway with another great American tale. The production features choreography by Tony Award nominee Camille A. Brown (*[Hell’s Kitchen](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway)*, *for colored girls who have considered suicide when the rainbow is enuf*). 

Spanning the childhood and career of a famed stripper, *Gypsy* follows Rose and her unstoppable hunger for fame for her daughters — and love for herself. A beloved classic featuring songs such as “Rose’s Turn,” “If Momma Was Married,” and “Some People,” *Gypsy* is a Broadway staple that has enjoyed multiple legendary revivals. Now, it’s McDonald’s turn. 

## Important information

- Flashing lights: Strobe or flashing lights are used in this production.
- Children under 4 years old will not be admitted.
- No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary.
- All items are subject to inspection. Anything brought into the theatre must fit on your lap or completely under your seat without blocking any aisles. Avoid bringing packages, luggage, and backpacks. Some items must be checked.
- The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services.

Gypsy on Broadway - NYC - NYTG

See Broadway icon Audra McDonald star in the musical *Gypsy* on Broadway. Starting this fall, *Gypsy* in New York will be one of the city’s hottest tickets thanks to an all-star production.

The Majestic Theatre, located on Broadway in New York City, is a truly historical masterpiece. Originally opened on March 28, 1927, it was designed by renowned architect Herbert J. Krapp. The grandeur of the building's architecture and interior decor is evident from the moment you step through the doors. With a seating capacity of 1,681, the Majestic is one of the largest Broadway venues, making it the ideal location for prominent productions.

The theatre has been most notably associated with Andrew Lloyd Webber’s *The Phantom of the Opera*, which played there from 1988 to 2023. Every little detail of the Majestic Theatre adds up to an unforgettable overall experience. From the ornate moldings of the proscenium arch to the majestic mezzanine and balcony, the venue, renovated in 2024, inspires awe in visitors.

__How to get there:__ The Majestic Theatre is located at 245 West 44th Street, Manhattan. It’s easy to get to either by car, subway, or bus. The closest subway station is Times Square - 42nd Street/Port Authority Bus Terminal, serving Lines 1, 2, 3, 7, N, Q, R, W, and S. If you're driving, there are numerous parking lots nearby. Be warned that NYC traffic can be tricky, so give yourself extra time to arrive.

Majestic Theatre - NY

Majestic Theatre 

The Majestic Theatre is a historical landmark on Broadway, located in the heart of the Theatre District in New York City.

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Ages 8+. Children under 4 are not permitted. 

MJ The Musical on Broadway - NYC [23379]

MJ The Musical on Broadway

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Michael Jackson, one of the most beloved and influential musicians of all time, chased perfection his entire existence. It's unfortunate he is not alive to witness the flawless production of <a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ the Musical</a>, a model biographical musical now open at the <a href="https://www.newyorktheatreguide.com/theatres/neil-simon-theatre" target="_blank">Neil Simon Theatre</a> on Broadway.Under the exemplary direction and choreography of Christopher Wheeldon, the production gives context to Jackson's inherited demons and zooms in on his daunting creative process and peerless genius. MJ is the platinum standard the often uninspired, generic jukebox musical could benefit to emulate.&nbsp;The musical doesn't tell his full life story. The book by two-time Pulitzer Prize-winning playwright Lynn Nottage narrows in on Jackson's Dangerous Tour rehearsals in 1992 — well before allegations of child molestation charges against Jackson arose. With the Jackson estate on the production team, Nottage has fixed this musical's lens on the stories the artist told through his music. Jackson's troubled childhood, pain, and loneliness fueled creativity and inspired the lyrics he wrote.Nottage's brilliant book gives the character of Jackson depth, and Myles Frost (who plays the eldest of three MJs who share the role) embodies the musician's complex persona. With every "hee-hee" and pelvic thrust, one can almost forget they're not seeing the King of Pop before their eyes. It's not easy to sing a Jackson song or move with the late star's precision, flexibility, and finesse. Many American Idol auditions have proven this true. But here, Frost has immersed himself into the spirit of Michael Jackson, producing distinct parallels to the icon's childlike behavior, restlessness, and paranoia.Frost gives this show not only his divine voice, but also a nuanced performance that humanizes the flawed superstar. In fact, all three generations of MJ exceed expectations. Little Michael (a talented Christian Wilson at the performance I saw) and young adult Michael (a fierce Tavon Olds-Sample) work together in seamless transitions to tell the full story of Jackson's early years.Both Quentin Earl Darrington (Once On This Island), and Ayana George (Broadway debut), who play Joe and Katherine Jackson, respectively, give powerhouse vocal performances. George especially shines during "I'll Be There," an affectionate duet with Little Michael. Though one can read Katherine as an enabler to Joe's rampant physical and emotional abuse, this number gives a tender softness to her love and vowed protection of Jackson.&nbsp;Darrington also plays Rob, Jackson's trusted tour manager. The smooth and swift changes between a man Jackson fears and a man he trusts give scene transitions delicate density.Musical numbers like "They Don't Really Care About Us," "Human Nature," "Stranger in Moscow," and "Thriller" are the show's highlight reels. The numbers are filled with Wheeldon's masterful choreography, blending modern dance, Jackson's iconic moves from the 90s, and deep, soul-stirring storytelling of the artist's triumphs and tribulations. The dance ensemble delivers paramount performances that leave an imprint on the memory. This team is a true tour-de-force.In the audience, some longtime fans sang along and cried, others who never experienced Jackson live remained mesmerized, and even a few skeptics cheered thunderously. They'd gasped loudly every time Frost changed a jacket or put on the iconic bedazzled glove.Paul Tazewell's magnificent costume design carries the cast through the MJ timeline seamlessly. A killer set by Derek McLane, amplified by gorgeous lighting by Natasha Katz, gives the show a visual beauty that makes it hard to look away.While Jackson's story is flawed, it's too complicated for anyone who hasn't danced in his shoes. MJ The Musical, however, is the perfect salutation to the life of an imperfect but gifted icon.<a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.</a>Photo credit: Myles Frost and the company of MJ The Musical. (Photo by Matthew Murphy)

'MJ The Musical' review — a flawless tribute to a flawed icon

MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.

MJ The Musical Review | New York Theatre Guide

The **Neil Simon Theatre** has a rich history in the heart of New York City's world-renown Broadway district. Built in 1927 as the Alvin Theatre, it was renamed after Pulitzer Prize-winning playwright Neil Simon in 1983.

The 1,445-seat venue has staged numerous high-profile and highly successful productions during its lifetime, with a variety of plays and musicals that appeal to all tastes. Its opulent interior architecture, complete with its lavish lobby and grand staircase, create a truly regal atmosphere that matches the quality of the performances on stage.

Getting to the Neil Simon Theatre is a breeze as it is located at 250 West 52nd Street. It is easily accessible via public transport with a number of metro stations, including the 49th Street Station (N, Q, R, and W lines), and the 50th Street Station (1 line) a short walk away.

If you're arriving by car, there are numerous public parking facilities nearby, such as the Icon Parking, which is just around the corner from the theatre. Regardless of how you choose to travel, arriving at the Neil Simon Theatre promises the start of an unforgettable Broadway experience.

Neil Simon Theatre - NY

Neil Simon Theatre

The Neil Simon Theatre, a 1,445-seat venue in New York's Broadway district, offers easily accessible transport and unforgettable Broadway experiences.

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Liberation - NYC [38588]

Liberation

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The Laura Pels Theatre is a renowned venue for Off-Broadway productions located in the heart of New York City. It is a part of the Harold and Miriam Steinberg Center for Theatre, operated by Roundabout Theatre Company. Established in 2004, the theatre is named after Laura Pels, a passionate supporter of Roundabout's initiative for new work and revival of classic plays. With a seating capacity of 424 guests, the theatre offers an intimate and immersive experience to theatre-goers. The theatre is designed in a classic style, combining modern amenities with the charm of New York's historic theatres. Known for its contemporary productions, The Laura Pels Theatre has fostered significant plays and playwrights, providing a platform to emerging talents across generations. This theatre is an absolute haven for discovering fresh, thought-provoking, and creative productions, often before they move on to larger Broadway venues. The Laura Pels Theatre truly holds a special place in the hearts of theater enthusiasts. 

**HOW TO GET THERE**
Located at 111 West 46th Street, between Sixth and Seventh Avenues, The Laura Pels Theatre is accessible via various modes of public transit. Patrons can take the B, D, F, or M train to 47-50 Streets - Rockefeller Center, or the 1 train to 50th Street. Local and express bus service is also available along either Sixth or Seventh Avenue.

The Laura Pels Theatre

The Laura Pels Theatre is a prominent Off-Broadway venue in New York, known for its contemporary productions and intimate atmosphere.

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Ages 10+. Children under 4 are not permitted.

SIX on Broadway - NYC [20737]

SIX on Broadway

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There is nothing I enjoy more than discovering a show and then going back to see it again (and again) with someone who has never seen it before. As someone who goes to the theatre for work, I view every night as a treasure hunt for the next theatrical crown jewel, and I love revisiting these gems time and again with friends and family.&nbsp;So when I saw a little show called <a href="https://www.newyorktheatreguide.com/show/20737-six-musical-tickets">Six</a> for the first time in London's West End in 2019, I couldn't wait to evangelize about it and take everyone I know. When the show came to the U.S. for a North American tour before heading to Broadway, I took my brother and sister-in-law to the show at American Repertory Theatre in Cambridge, Mass.&nbsp;And when the show was preparing for its March 2020 Broadway bow, I took a good friend, dancing in the aisles at the last show I saw before the pandemic shutdown.&nbsp;Now, the production is the first new musical to return to Broadway since theatres closed, and in the intervening time, I've actually moved to London, where I was at the musical's first performance back in the West End in May 2021. So being back in New York for Broadway's reopening and seeing Six (for the sixth time, no less) feels like a seminal moment for the show.&nbsp;This time, I also took a good friend, who also had never seen the show or heard any of the music. Watching her experience pure musical theatre elation for a pop-packed 75 minutes was greater than any returning-to-theatre joy I could have imagined. You'll laugh. You'll cry. You'll dance. It's everything a theatre experience should be and more.&nbsp;So what is Six, you might ask, oh uninitiated one? The show is essentially a pop concert featuring the six wives of&nbsp;Henry VIII belting and riffing about all the "bullsh*t" they had to put up with from the king. Featuring vocal stylings in the vein of Nicki Minaj, Adele, Ariana Grande, Beyoncé, and more, the performers deliver a "histo-remix," in a concise and endlessly catchy concert-style show that is part singing competition, part history lesson.&nbsp;Now, you don't need me to tell you how popular the music is, as the U.K. cast recording has been streamed over 100 million times, and writers Toby Moss and Lucy Marlow (also the show's co-director with Jamie Armitage) have scored a deal to write pop music. Not bad for two students at Cambridge who came up with this show in school and premiered at the Edinburgh Fringe.&nbsp;The queendom has now gone global, and the Broadway production is bigger, bolder, and beltier than any Six I've seen yet. From new riffs to surprise costume reveals, every element has been leveled up for New York, leaving no stone unturned. Adrianna Hicks (Catherine of Aragon), Andrea Macasaet (Anne Boleyn), Abby Mueller (Jane Seymour), Brittney Mack (Anna of Cleves), Samantha Pauly (Katherine Howard), and Anna Uzele (Catherine Parr) form a tight ensemble, fulfilling all your girl group dreams and your next karaoke night.&nbsp;The show itself is a retro-mashup with Gabrielle Slade's bedazzled costumes featuring Reformation-inspired silhouettes; Carrie-Anne Ingrouille's choreography showcases Tudor-meets-pop moves; and Emma Bailey's scenery and Tim Deiling's lighting feels like what a royal ballroom might look like in a techno disco.&nbsp;Ultimately, the queens' own stories of overcoming struggles and the show's circuitous journey to Broadway are also beacons for the power of positivity, perseverance, and coming together in times of struggle. Just like these six "ex-wives," we've all had it rough for the past year and a half, and the queens are here to bring in a new regime. Long may they reign.&nbsp;Six&nbsp;is playing on Broadway at the <a href="https://www.newyorktheatreguide.com/venues/lena-horne-theatre">Lena Horne Theatre</a>. &nbsp;

'Six' Broadway review — a ‘one of a kind, no category’ musical

The Lena Horne Theatre, dedicated to the legendary artist of the same name, is a quintessential New York City theatre venue. Encompassing a blend of contemporary and traditional vibes, it carries an ambient charm and a deep-rooted cultural heritage. Nestled in the heart of the bustling city, this theatre offers captivating performances, welcoming audiences of all ages from around the globe. The hospitality and energy of the Lena Horne Theatre breathes life into each performance, making it an unforgettable experience. The theater provides an intimate setting that ensures every seat becomes the best seat in the house. Rooted in its passion to promote and cultivate the arts, the Lena Horne Theatre hosts a variety of events, ranging from plays and musicals to concerts and panel discussions. The delightful ensemble of artists embodies the spirit of Lena Horne, nurturing an appreciation for the arts and inspiring new generations. 

## How to Get There 
To reach the Lena Horne Theatre, a number of city bus and subway routes offer convenient access. The venue is just a short walk from junctions for the B, Q, 2, 3, 4, and 5 trains. A variety of nearby parking options are also available for those driving in.

Lena Horne Theatre - NYC

Lena Horne Theatre

The Lena Horne Theatre is a captivating NYC venue providing an intimate setting for plays, musicals, concerts and discussions.

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A Wonderful World: The Louis Armstrong Musical on Broadway - NYC [39810]

A Wonderful World: The Louis Armstrong Musical on Broadway

A Wonderful World: The Louis Armstrong Musical- NYC [39810] Product Media

The **Studio 54 theatre** in New York is legendary in its status as America's most famous nightclub from history. In the '70s, the venue was a beacon for A-list celebrities, artists, and musicians to gather under its mesmerising disco ball. Today, as part of the Roundabout Theatre Company, **Studio 54** is a home to captivating theatrical performances. The theatre, located on 254 W 54th Street, maintains its historical charm with the restored auditorium that evokes an intense feel for the remarkable history it's borne witness to. The theatre has a seating capacity of 1006 and has been the stage for numerous notable productions such as 'Cabaret', 'Sunday in the Park with George', and 'Kiss Me, Kate'. The elegance from its original 1927 construction blends seamlessly with its more modern renovations, helping keep Studio 54 an iconic and desired destination in the Big Apple. 

 **How to get to the venue** 

 Getting to Studio 54 is quite straightforward. Located in Manhattan, it's easily accessible by subway. The closest station is 7 Avenue, which is just a short two-minute walk from the theatre. For those preferring a taxi ride or self-drive, there are several parking garages nearby like the 'Icon Parking' on 851 8th Ave or the 'SP+' on 1700 Broadway.

Studio 54 - NY

Studio 54

Studio 54 theatre in New York, known for its past as a celebrity club, is now a popular venue for theatrical performances.

NY - TT - John Proctor Is the Villain Web/App Lead

John Proctor Is the Villain on Broadway - NYC [43024]

John Proctor Is the Villain on Broadway

The Booth Theatre, named in honor of the legendary 19th-century actor Edwin Booth, is a historical theater venue in New York City, specifically located in the heart of the theatre district on Broadway. It was first opened on October 16, 1913. This venue loves to exhibit plays and has been home to a string of widely acclaimed productions since its establishment. It is known for its intimate setting, having only 766 seats distributed between the orchestra and mezzanine levels. The interior is beautifully ornamented, showcasing Italian Renaissance detailing and a warm, old-world atmosphere. The Booth Theatre is currently owned by the Shubert Organization. Over the years, it has housed multiple award-winning plays such as 'Sunday in the Park with George', 'Next to Normal', and 'The Elephant Man'. 

**How to get there:** The Booth Theater is located at 222 West 45th Street, between 7th and 8th Avenues. It is easily accessible by public transit. For subway riders, it is close to the Times Square-42nd Street station, where the 1, 2, 3, 7, N, Q, R, W, and S trains stop. It is possible to park your car in a nearby garage but remember that the theatre district can be quite busy, especially during show hours.

Booth Theatre - NY

Booth Theatre

The Booth Theatre is a historically significant venue in New York's theatre district known for showcasing acclaimed plays and having an intimate setting.